Quo Vadis: a narrative of the time of Nero by Henryk Sienkiewicz
page 84 of 747 (11%)
page 84 of 747 (11%)
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Acte spoke truly. Cæsar had bent over the table, half-closed one eye,
and holding before the other a round polished emerald, which he used, was looking at them. For a moment his glance met Lygia's eyes, and the heart of the maiden was straitened with terror. When still a child on Aulus's Sicilian estate, an old Egyptian slave had told her of dragons which occupied dens in the mountains, and it seemed to her now that all at once the greenish eye of such a monster was gazing at her. She caught at Vinicius's hand as a frightened child would, and disconnected, quick impressions pressed into her head: Was not that he, the terrible, the all-powerful? She had not seen him hitherto, and she thought that he looked differently. She had imagined some kind of ghastly face, with malignity petrified in its features; now she saw a great head, fixed on a thick neck, terrible, it is true, but almost ridiculous, for from a distance it resembled the head of a child. A tunic of amethyst color, forbidden to ordinary mortals, cast a bluish tinge on his broad and short face. He had dark hair, dressed, in the fashion introduced by Otho, in four curls. He had no beard, because he had sacrified it recently to Jove,--for which all Rome gave him thanks, though people whispered to each other that he had sacrificed it because his beard, like that of his whole family, was red. In his forehead, projecting strongly above his brows, there remained something Olympian. In his contracted brows the consciousness of supreme power was evident; but under that forehead of a demigod was the face of a monkey, a drunkard, and a comedian,--vain, full of changing desires, swollen with fat, notwithstanding his youth; besides, it was sickly and foul. To Lygia he seemed ominous, but above all repulsive. After a while he laid down the emerald and ceased to look at her. Then |
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