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Yorkshire Dialect Poems (1673-1915) and traditional poems by F. W. (Frederic William) Moorman
page 23 of 173 (13%)
Pickering, and throughout the Hambledon Hills, his name is very familiar.
Born near Dublin, in 1792, of Roman Catholic parents, he was brought up
at Lealholm Bridge, in the Cleveland country, and learnt the trade of a
journeyman stone-mason. Having abjured the faith of his childhood, he
joined, in 1818, the Wesleyan Methodist Society and acquired great
popularity in the North Riding as a local preacher. His well-known poem,
"Awd Isaac," seems to have been first printed at Northallerton in 1831.
Twelve years later it occupies the first place in a volume of poems
published by the author at Whitby under the title, Awd Isaac, The
Steeplechase, and Other Poems. Like most of his other poems, "Awd Isaac"
is strongly didactic and religious; its homely piety and directness of
speach have won for it a warm welcome among the North Yorkshire
peasantry, and many a farmer and farm-labourer still living knows much of
the poem by heart. As "Awd Isaac " is too long for an anthology, I have
chosen "The Lucky Dream" as an illustration of Castillo's workmanship.
Apart from its narrative interest, this poem calls for attention as a
Yorkshire variant of an ancient and widely dispersed folk-tale, the
earliest known version of which is to be found in the works of the
thirteenth-century Persian poet Jalalu'd-Din. Castillo died at Pickering
in 1845, and five years later a complete edition of his poems was
published at Kirkby Moorside.

Less popular than "Awd Isaac," but often met with in collections of
dialect verse, is the poem entitled "The York Minster Screen." This was
the work of George Newton Brown, a lawyer by profession, who lived at
Nunnington in Ryedale. The poem, which is in the form of a dialogue
between two Yorkshire farmers, was first published at Malton in 1833.
The conversation, which is of the raciest description, is supposed to
take place in York Minster and turns on the repairs which were made in
1832 to the famous organ-screen which separates the nave and transepts
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