Yorkshire Dialect Poems (1673-1915) and traditional poems by F. W. (Frederic William) Moorman
page 23 of 173 (13%)
page 23 of 173 (13%)
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Pickering, and throughout the Hambledon Hills, his name is very familiar.
Born near Dublin, in 1792, of Roman Catholic parents, he was brought up at Lealholm Bridge, in the Cleveland country, and learnt the trade of a journeyman stone-mason. Having abjured the faith of his childhood, he joined, in 1818, the Wesleyan Methodist Society and acquired great popularity in the North Riding as a local preacher. His well-known poem, "Awd Isaac," seems to have been first printed at Northallerton in 1831. Twelve years later it occupies the first place in a volume of poems published by the author at Whitby under the title, Awd Isaac, The Steeplechase, and Other Poems. Like most of his other poems, "Awd Isaac" is strongly didactic and religious; its homely piety and directness of speach have won for it a warm welcome among the North Yorkshire peasantry, and many a farmer and farm-labourer still living knows much of the poem by heart. As "Awd Isaac " is too long for an anthology, I have chosen "The Lucky Dream" as an illustration of Castillo's workmanship. Apart from its narrative interest, this poem calls for attention as a Yorkshire variant of an ancient and widely dispersed folk-tale, the earliest known version of which is to be found in the works of the thirteenth-century Persian poet Jalalu'd-Din. Castillo died at Pickering in 1845, and five years later a complete edition of his poems was published at Kirkby Moorside. Less popular than "Awd Isaac," but often met with in collections of dialect verse, is the poem entitled "The York Minster Screen." This was the work of George Newton Brown, a lawyer by profession, who lived at Nunnington in Ryedale. The poem, which is in the form of a dialogue between two Yorkshire farmers, was first published at Malton in 1833. The conversation, which is of the raciest description, is supposed to take place in York Minster and turns on the repairs which were made in 1832 to the famous organ-screen which separates the nave and transepts |
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