Howards End by E. M. (Edward Morgan) Forster
page 53 of 507 (10%)
page 53 of 507 (10%)
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it tells you the same as the eye? Helen's one aim is to
translate tunes into the language of painting, and pictures into the language of music. It's very ingenious, and she says several pretty things in the process, but what's gained, I'd like to know? Oh, it's all rubbish, radically false. If Monet's really Debussy, and Debussy's really Monet, neither gentleman is worth his salt--that's my opinion. Evidently these sisters quarrelled. "Now, this very symphony that we've just been having--she won't let it alone. She labels it with meanings from start to finish; turns it into literature. I wonder if the day will ever return when music will be treated as music. Yet I don't know. There's my brother--behind us. He treats music as music, and oh, my goodness! He makes me angrier than anyone, simply furious. With him I daren't even argue." An unhappy family, if talented. "But, of course, the real villain is Wagner. He has done more than any man in the nineteenth century towards the muddling of arts. I do feel that music is in a very serious state just now, though extraordinarily interesting. Every now and then in history there do come these terrible geniuses, like Wagner, who stir up all the wells of thought at once. For a moment it's splendid. Such a splash as never was. But afterwards--such a lot of mud; and the wells--as it were, they communicate with each other too |
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