Studies and Essays: Censorship and Art by John Galsworthy
page 10 of 29 (34%)
page 10 of 29 (34%)
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there spring up at times men--like John Wesley or General Booth--of such
incurable temperament as to be capable of abusing their freedom by the promulgation of doctrine or procedure, divergent from the current traditions of religion. Nor must it be forgotten that sermons, like plays, are addressed to a mixed audience of families, and that the spiritual teachings of a lifetime may be destroyed by ten minutes of uncensored pronouncement from a pulpit, the while parents are sitting, not, as in a theatre vested with the right of protest, but dumb and excoriated to the soul, watching their children, perhaps of tender age, eagerly drinking in words at variance with that which they themselves have been at such pains to instil. If a set of Censors--for it would, as in the case of Literature, indubitably require more than one (perhaps one hundred and eighty, but, for reasons already given, there should be no difficulty whatever in procuring them) endowed with the swift powers conferred by freedom from the dull tedium of responsibility, and not remarkable for religious temperament, were appointed, to whom all sermons and public addresses on religious subjects must be submitted before delivery, and whose duty after perusal should be to excise all portions not conformable to their private ideas of what was at the moment suitable to the Public's ears, we should be far on the road toward that proper preservation of the status quo so desirable if the faiths and ethical standards of the less exuberantly spiritual masses are to be maintained in their full bloom. As things now stand, the nation has absolutely nothing to safeguard it against religious progress. We have seen, then, that Censorship is at least as necessary over Literature, Art, Science, and Religion as it is over our Drama. We have now to call attention to the crowning need--the want of a Censorship in |
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