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Studies and Essays: Censorship and Art by John Galsworthy
page 3 of 29 (10%)
political accident! That would indeed be to laugh at Justice in this
Kingdom! That would indeed be cynical and unsound! We must never admit
that there is no basic Justice controlling the edifice of our Civic
Rights. We do, we must, conclude that a just and well-considered
principle underlies this despotic Institution; for surely, else, it would
not be suffered to survive for a single moment! Pom! Pom!

If, then, the Censorship of Plays be just, beneficent, and based on a
well-considered principle, we must rightly inquire what good and logical
reason there is for the absence of Censorship in other departments of the
national life. If Censorship of the Drama be in the real interests of
the people, or at all events in what the Censor for the time being
conceives to be their interest--then Censorships of Art, Literature,
Religion, Science, and Politics are in the interests of the people,
unless it can be proved that there exists essential difference between
the Drama and these other branches of the public being. Let us consider
whether there is any such essential difference.

It is fact, beyond dispute, that every year numbers of books appear which
strain the average reader's intelligence and sensibilities to an
unendurable extent; books whose speculations are totally unsuited to
normal thinking powers; books which contain views of morality divergent
from the customary, and discussions of themes unsuited to the young
person; books which, in fine, provide the greater Public with no pleasure
whatsoever, and, either by harrowing their feelings or offending their
good taste, cause them real pain.

It is true that, precisely as in the case of Plays, the Public are
protected by a vigilant and critical Press from works of this
description; that, further, they are protected by the commercial instinct
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