that in which Ariosto throws doubt on the general resurrection. Ariosto,"
I added, "in speaking of the hermit who would have hindered Rhodomonte
from getting possession of Isabella, widow of Zerbin, paints the African,
who wearied of the hermit's sermons, seizes him and throws him so far
that he dashes him against a rock, against which he remains in a dead
swoon, so that 'che al novissimo di forse fia desto'."

This 'forse' which may possibly have only been placed there as a flower
of rhetoric or as a word to complete the verse, raised a great uproar,
which would doubtless have greatly amused the poet if he had had time!

"It is a pity," said Madame Denis, "that Ariosto was not more careful in
these hyperbolical expressions."

"Be quiet, niece, they are full of wit. They are all golden grains, which
are dispersed throughout the work in the best taste."

The conversation was then directed towards various topics, and at last we
got to the 'Ecossaise' we had played at Soleure.

They knew all about it.

M. de Voltaire said that if I liked to play it at his house he would
write to M. de Chavigni to send the Lindane, and that he himself would
play Montrose. I excused myself by saying that Madame was at Bale and
that I should be obliged to go on my journey the next day. At this he
exclaimed loudly, aroused the whole company against me, and said at last
that he should consider my visit as an insult unless I spared him a week
at least of my society.