the Catai's influence, made things so unpleasant for Madame Binetti that
the two dancers became deadly enemies.

In ten or twelve days Madame Binetti was settled it a well-furnished
house; her plate was simple but good, her cellar full of excellent wine,
her cook an artist and her adorers numerous, amongst them being
Moszciuski and Branicki, the king's friends.

The pit was divided into two parties, for the Catai was resolved to make
a stand against the new comer, though her talents were not to be compared
to Madame Binetti's. She danced in the first ballet, and her rival in the
second. Those who applauded the first greeted that second in dead
silence, and vice versa. I had great obligations towards Madame Binetti,
but my duty also drew me towards the Catai, who numbered in her party all
the Czartoryskis and their following, Prince Lubomirski, and other
powerful nobles. It was plain that I could not desert to Madame Binetti
without earning the contempt of the other party.

Madame Binetti reproached me bitterly, and I laid the case plainly before
her. She agreed that I could not do otherwise, but begged me to stay away
from the theatre in future, telling me that she had got a rod in pickle
for Tomatis which would make him repent of his impertinence. She called
me her oldest friend; and indeed I was very fond of her, and cared
nothing for the Catai despite her prettiness.

Xavier Branicki, the royal Postoli, Knight of the White Eagle, Colonel of
Uhlans, the king's friend, was the chief adorer of Madame Binetti. The
lady probably confided her displeasure to him, and begged him to take
vengeance on the manager, who had committed so many offences against her.
Count Branicki in his turn probably promised to avenge her quarrel, and,