Also, it is common to use bracketing with unusual characters to
signify emphasis. The asterisk is most common, as in "What the
*hell*?" even though this interferes with the common use of the
asterisk suffix as a footnote mark. The underscore is also common,
suggesting underlining (this is particularly common with book titles;
for example, "It is often alleged that Joe Haldeman wrote
_The_Forever_War_ as a rebuttal to Robert Heinlein's earlier novel of
the future military, _Starship_Troopers_."). Other forms exemplified
by "=hell=", "\hell/", or "/hell/" are occasionally seen (it's claimed
that in the last example the first slash pushes the letters over to
the right to make them italic, and the second keeps them from falling
over). On FidoNet, you might see #bright# and ^dark^ text, which was
actually interpreted by some reader software. Finally, words may also
be emphasized L I K E T H I S, or by a series of carets (^) under them
on the next line of the text.

There is a semantic difference between *emphasis like this* (which
emphasizes the phrase as a whole), and *emphasis* *like* *this* (which
suggests the writer speaking very slowly and distinctly, as if to a
very young child or a mentally impaired person). Bracketing a word
with the `*' character may also indicate that the writer wishes
readers to consider that an action is taking place or that a sound is
being made. Examples: *bang*, *hic*, *ring*, *grin*, *kick*, *stomp*,
*mumble*.

One might also see the above sound effects as , , ,
, , , . This use of angle brackets to mark
their contents originally derives from conventions used in [123]BNF,
but since about 1993 it has been reinforced by the HTML markup used on
the World Wide Web.