The Man-Made World; or, Our Androcentric Culture by Charlotte Perkins Gilman
page 38 of 169 (22%)
page 38 of 169 (22%)
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Much of this is strong and beautiful, but its time is long past. The
art which is part of industry, natural, simple, spontaneous, making beauty in every object of use, adding pleasure to labor and to life, is not Art with a large A, the Art which requires Artists, among whom are so few women of note. Art as a profession, and the Artist as a professional, came later; and by that time women had left the freedom and power of the matriarchate and become slaves in varying degree. The women who were idle pets in harems, or the women who worked hard as servants, were alike cut off from the joy of making things. Where constructive work remained to them, art remained, in its early decorative form. Men, in the proprietary family, restricting the natural industry of women to personal service, cut off their art with their industry, and by so much impoverished the world. There is no more conspicuously pathetic proof of the aborted development of women than this commonplace--their lack of a civilized art sense. Not only in the childish and savage display upon their bodies, but in the pitiful products they hang upon the walls of the home, is seen the arrest in normal growth. After ages of culture, in which men have developed Architecture, Sculpture, Painting, Music and the Drama, we find women in their primitive environment making flowers of wax, and hair, and worsted; doing mottoes of perforated cardboard, making crazy quilts and mats and "tidies"--as if they lived in a long past age, or belonged to a lower race. This, as part of the general injury to women dating from the beginning |
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