The Man-Made World; or, Our Androcentric Culture by Charlotte Perkins Gilman
page 41 of 169 (24%)
page 41 of 169 (24%)
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sacrifice. Of all the thousand ways by which humanity is specialized
for inter-service, none is more exquisite than this; the evolution of the social Eye, or Ear, or Voice, the development of those whose work is wholly for others, and to whom the appreciation of others is as the bread of life. This we should have in a properly developed community; the pleasure of applied art in the making and using of everything we have; and then the high joy of the Great Artist, and the noble work thereof, spread far and wide. What do we find? Applied art at a very low level; small joy either for the maker or the user. Pure art, a fine-spun specialty, a process carried on by an elect few who openly despise the unappreciative many. Art has become an occult profession requiring a long special education even to enjoy, and evolving a jargon of criticism which becomes more esoteric yearly. Let us now see what part in this undesirable outcome is due to our Androcentric Culture. As soon as the male of our species assumed the exclusive right to perform all social functions, he necessarily brought to that performance the advantages--and disadvantages--of maleness, of those dominant characteristics, desire, combat, self-expression. Desire has overweighted art in many visible forms; it is prominent in painting and music, almost monopolizes fiction, and has pitifully degraded dancing. Combat is not so easily expressed in art, where even competition is on a |
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