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The Man-Made World; or, Our Androcentric Culture by Charlotte Perkins Gilman
page 41 of 169 (24%)
sacrifice. Of all the thousand ways by which humanity is specialized
for inter-service, none is more exquisite than this; the evolution of
the social Eye, or Ear, or Voice, the development of those whose work is
wholly for others, and to whom the appreciation of others is as the
bread of life. This we should have in a properly developed community;
the pleasure of applied art in the making and using of everything we
have; and then the high joy of the Great Artist, and the noble work
thereof, spread far and wide.

What do we find?

Applied art at a very low level; small joy either for the maker or the
user. Pure art, a fine-spun specialty, a process carried on by an elect
few who openly despise the unappreciative many. Art has become an
occult profession requiring a long special education even to enjoy, and
evolving a jargon of criticism which becomes more esoteric yearly.

Let us now see what part in this undesirable outcome is due to our
Androcentric Culture.

As soon as the male of our species assumed the exclusive right to
perform all social functions, he necessarily brought to that performance
the advantages--and disadvantages--of maleness, of those dominant
characteristics, desire, combat, self-expression.

Desire has overweighted art in many visible forms; it is prominent in
painting and music, almost monopolizes fiction, and has pitifully
degraded dancing.

Combat is not so easily expressed in art, where even competition is on a
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