sexes, differ from the human norm, which is social life and all social
development. Society was slowly growing in all those black blind years.
The arts, the sciences, the trades and crafts and professions,
religion, philosophy, government, law, commerce, agriculture--all the
human processes were going on as well as they were able, between wars.

The male naturally fights, and naturally crows, triumphs over his rival
and takes the prize--therefore was he made male. Maleness means war.

Not only so; but being male, he cares only for male interests. Men,
being the sole arbiters of what should be done and said and written,
have given us not only a social growth scarred and thwarted from the
beginning by continual destruction; but a history which is one unbroken
record of courage and red cruelty, of triumph and black shame.

As to what went on that was of real consequence, the great slow steps of
the working world, the discoveries and inventions, the real progress of
humanity--that was not worth recording, from a masculine point of view.
Within this last century, "the woman's century," the century of the
great awakening, the rising demand for freedom, political, economic, and
domestic, we are beginning to write real history, human history, and not
merely masculine history. But that great branch of literature--Hebrew,
Greek, Roman, and all down later times, shows beyond all question, the
influence of our androcentric culture.

Literature is the most powerful and necessary of the arts, and fiction
is its broadest form. If art "holds the mirror up to nature" this art's
mirror is the largest of all, the most used. Since our very life
depends on some communication; and our progress is in proportion to our
fullness and freedom of communication; since real communication requires