long before any natural distinction would appear.

Take that universal joy the doll, or puppet, as an instance. A small
imitation of a large known object carries delight to the heart of a
child of either sex. The worsted cat, the wooden horse, the little
wagon, the tin soldier, the wax doll, the toy village, the "Noah's Ark,"
the omnipresent "Teddy Bear," any and every small model of a real thing
is a delight to the young human being. Of all things the puppet is the
most intimate, the little image of another human being to play with.
The fancy of the child, making endless combinations with these visible
types, plays as freely as a kitten in the leaves; or gravely carries out
some observed forms of life, as the kitten imitates its mother's
hunting.

So far all is natural and human.

Now see our attitude toward child's play--under a masculine culture.
Regarding women only as a sex, and that sex as manifest from infancy, we
make and buy for our little girls toys suitable to this view. Being
females--which means mothers, we must needs provide them with babies
before they cease to be babies themselves; and we expect their play to
consist in an imitation of maternal cares. The doll, the puppet, which
interests all children, we have rendered as an eternal baby; and we
foist them upon our girl children by ceaseless millions.

The doll, as such, is dear to the little boy as well as the girl, but
not as a baby. He likes his jumping-jack, his worsted Sambo, often a
genuine rag-doll; but he is discouraged and ridiculed in this. We do
not expect the little boy to manifest a father's love and care for an
imitation child--but we do expect the little girl to show maternal