Washington Irving by Charles Dudley Warner
page 71 of 193 (36%)
page 71 of 193 (36%)
![]() | ![]() |
|
himself. This was declined, as also was another offer to contribute to
the "London Quarterly" with the liberal pay of one hundred guineas an article. For the "Quarterly" he would not write, because, he says, "it has always been so hostile to my country, I cannot draw a pen in its service." This is worthy of note in view of a charge made afterwards, when he was attacked for his English sympathies, that he was a frequent contributor to this anti-American review. His sole contributions to it were a gratuitous review of the book of an American author, and an explanatory article, written at the desire of his publisher, on the "Conquest of Granada." It is not necessary to dwell upon the small scandal about Irving's un-American' feeling. If there was ever a man who loved his country and was proud of it; whose broad, deep, and strong patriotism did not need the saliency of ignorant partisanship, it was Washington Irving. He was, like his namesake, an American, and with the same pure loyalty and unpartisan candor. The first number of the "Sketch-Book" was published in America in May, 1819. Irving was then thirty-six years old. The series was not completed till September, 1820. The first installment was carried mainly by two papers, "The Wife" and "Rip Van Winkle:" the one full of tender pathos that touched all hearts, because it was recognized as a genuine expression of the author's nature; and the other a happy effort of imaginative humor, one of those strokes of genius that re-create the world and clothe it with the unfading hues of romance; the theme was an old-world echo, transformed by genius into a primal story that will endure as long as the Hudson flows through its mountains to the sea. A great artist can paint a great picture on a small canvas. The "Sketch-Book" created a sensation in America, and the echo of it was not long in reaching England. The general chorus of approval and the |
|