Coleman a line on the subject.

"I hope you will not attribute all this sensibility to the kind
reception I have met to an author's vanity. I am sure it proceeds
from very different sources. Vanity could not bring the tears into
my eyes as they have been brought by the kindness of my countrymen.
I have felt cast down, blighted, and broken-spirited, and these
sudden rays of sunshine agitate me more than they revive me. I
hope--I hope I may yet do something more worthy of the appreciation
lavished on me."

Irving had not contemplated publishing in England, but the papers began
to be reprinted, and he was obliged to protect himself. He offered the
sketches to Murray, the princely publisher, who afterwards dealt so
liberally with him, but the venture was declined in a civil note, written
in that charming phraseology with which authors are familiar, but which
they would in vain seek to imitate. Irving afterwards greatly prized
this letter. He undertook the risks of the publication himself, and the
book sold well, although "written by an author the public knew nothing
of, and published by a bookseller who was going to ruin." In a few
months Murray, who was thereafter proud to be Irving's publisher,
undertook the publication of the two volumes of the "Sketch-Book," and
also of the "Knickerbocker" history, which Mr. Lockhart had just been
warmly praising in "Blackwood's." Indeed, he bought the copyright of the
"Sketch-Book" for two hundred pounds. The time for the publisher's
complaisance had arrived sooner even than Scott predicted in one of his
kindly letters to Irving, "when

"'Your name is up and may go
From Toledo to Madrid.'"