flimsy carpentry-work, in the way of cheap-John shops, tin-type booths,
peep-shows, go-rounds, shooting-galleries, pop-beer and cigar shops,
restaurants, barber shops, photograph galleries, summer theatres.
Sometimes the plank walk runs for a mile or two, on its piles, between
rows of these shops and booths, and again it drops off down by the waves.
Here and there is a gayly-painted wooden canopy by the shore, with chairs
where idlers can sit and watch the frolicking in the water, or a space
railed off, where the select of the hotels lie or lounge in the sand
under red umbrellas. The calculating mind wonders how many million feet
of lumber there are in this unpicturesque barricade, and what gigantic
forests have fallen to make this timber front to the sea. But there is
one thing man cannot do. He has made this show to suit himself, he has
pushed out several iron piers into the sea, and erected, of course, a
skating rink on the end of one of them. But the sea itself, untamed,
restless, shining, dancing, raging, rolls in from the southward, tossing
the white sails on its vast expanse, green, blue, leaden, white-capped,
many-colored, never two minutes the same, sounding with its eternal voice
I knew not what rebuke to man.

When Mr. King wrote his and his friend's name in the book at the Mansion
House, he had the curiosity to turn over the leaves, and it was not with
much surprise that he read there the names of A. J. Benson, wife, and
daughter, Cyrusville, Ohio.

"Oh, I see!" said the artist; "you came down here to see Mr. Benson!"

That gentleman was presently discovered tilted back in a chair on the
piazza, gazing vacantly into the vacant street with that air of endurance
that fathers of families put on at such resorts. But he brightened up
when Mr. King made himself known.