acquaintance--but a thought dropped into the mind ripens without
consciousness, and he found that he had anticipated seeing Irene again
with decided interest. He remembered exactly how she looked at Fortress
Monroe, especially one day when she entered the parlor, bowing right and
left to persons she knew, stopping to chat with one and another, tall,
slender waist swelling upwards in symmetrical lines, brown hair,
dark-gray eyes--he recalled every detail, the high-bred air (which was
certainly not inherited), the unconscious perfect carriage, and his
thinking in a vague way that such ease and grace meant good living and
leisure and a sound body. This, at any rate, was the image in his mind
--a sufficiently distracting thing for a young man to carry about with
him; and now as he walked beside her he was conscious that there was
something much finer in her than the image he had carried with him, that
there was a charm of speech and voice and expression that made her
different from any other woman he had ever seen. Who can define this
charm, this difference? Some women have it for the universal man--they
are desired of every man who sees them; their way to marriage (which is
commonly unfortunate) is over a causeway of prostrate forms, if not of
cracked hearts; a few such women light up and make the romance of
history. The majority of women fortunately have it for one man only, and
sometimes he never appears on the scene at all! Yet every man thinks his
choice belongs to the first class; even King began to wonder that all
Newport was not raving over Irene's beauty. The present writer saw her
one day as she alighted from a carriage at the Ocean House, her face
flushed with the sea air, and he remembers that he thought her a fine
girl. "By George, that's a fine woman!" exclaimed a New York bachelor,
who prided himself on knowing horses and women and all that; but the
country is full of fine women--this to him was only one of a thousand.

What were this couple talking about as they promenaded, basking in each