The landscape is beautiful.

"All the lines are so simple," the artist explained. "The shore, the
sea, the gray rocks, with here and there the roof of a quaint cottage to
enliven the effect, and few trees, only just enough for contrast with the
long, sweeping lines."

"You don't like trees?" asked Miss Lamont.

"Yes, in themselves. But trees are apt to be in the way. There are too
many trees in America. It is not often you can get a broad, simple
effect like this."

It happened to be a day when the blue of the sea was that of the
Mediterranean, and the sky and sea melted into each other, so that a
distant sail-boat seemed to be climbing into the heavens. The waves
rolled in blue on the white sand beach, and broke in silver. Three young
girls on horseback galloping in a race along the hard beach at the moment
gave the needed animation to a very pretty picture.

North of this the land comes down to the sea in knolls of rock breaking
off suddenly-rocks gray with lichen, and shaded with a touch of other
vegetation. Between these knifeback ledges are plots of sea-green grass
and sedge, with little ponds, black, and mirroring the sky. Leaving this
wild bit of nature, which has got the name of Paradise (perhaps because
few people go there), the road back to town sweeps through sweet farm
land; the smell of hay is in the air, loads of hay encumber the roads,
flowers in profusion half smother the farm cottages, and the trees of the
apple-orchards are gnarled and picturesque as olives.