into softness, in which all the landscape became poetic. The phenomenon
known as "red sunsets" was faintly repeated in the greenish crimson glow
along the violet hills, in which Venus burned like a jewel.

There was a fire smoldering on the hearth in the room they entered, which
seemed to be sitting-room, library, parlor, all in one; the old table of
oak, too substantial for ornament, was strewn with late periodicals and
pamphlets--English, American, and French--and with books which lay
unarranged as they were thrown down from recent reading. In the centre
was a bunch of red roses in a pale-blue Granada jug. Miss Forsythe rose
from a seat in the western window, with a book in her hand, to greet her
callers. She was slender, like Margaret, but taller, with soft brown eyes
and hair streaked with gray, which, sweeping plainly aside from her
forehead in a fashion then antiquated, contrasted finely with the flush
of pink in her cheeks. This flush did not suggest youth, but rather
ripeness, the tone that comes with the lines made in the face by gentle
acceptance of the inevitable in life. In her quiet and self-possessed
manner there was a little note of graceful timidity, not perhaps
noticeable in itself, but in contrast with that unmistakable air of
confidence which a woman married always has, and which in the unrefined
becomes assertive, an exaggerated notion of her importance, of the value
added to her opinions by the act of marriage. You can see it in her air
the moment she walks away from the altar, keeping step to Mendelssohn's
tune. Jack Sharpley says that she always seems to be saying, "Well, I've
done it once for all." This assumption of the married must be one of the
hardest things for single women to bear in their self-congratulating
sisters.

I have no doubt that Georgiana Forsythe was a charming girl, spirited and
handsome; for the beauty of her years, almost pathetic in its dignity and