shows in palaces of legerdemain and deformity.

It was a relenting day in March; patches of blue sky overhead, and the
sun had some quality in its shining. The children and the caged birds at
the open windows felt it-and there were notes of music here and there
above the traffic and the clamor. Turning down a narrow alley, with a
gutter in the centre, attracted by festive sounds, the visitors came into
a small stone-paved court with a hydrant in the centre surrounded by tall
tenement-houses, in the windows of which were stuffed the garments that
would no longer hold together to adorn the person. Here an Italian girl
and boy, with a guitar and violin, were recalling la bella Napoli, and a
couple of pretty girls from the court were footing it as merrily as if it
were the grape harvest. A woman opened a lower room door and sharply
called to one of the dancing girls to come in, when Edith and the doctor
appeared at the bottom of the alley, but her tone changed when she
recognized the doctor, and she said, by way of apology, that she didn't
like her daughter to dance before strangers. So the music and the dance
went on, even little dots of girls and boys shuffling about in a
stiff-legged fashion, with applause from all the windows, and at last
a largesse of pennies--as many as five altogether--for the musicians.
And the sun fell lovingly upon the pretty scene.

But then there were the sweaters' dens, and the private rooms where half
a dozen pale-faced tailors stitched and pressed fourteen and sometimes
sixteen hours a day, stifling rooms, smelling of the hot goose and
steaming cloth, rooms where they worked, where the cooking was done,
where they ate, and late at night, when overpowered with weariness, lay
down to sleep. Struggle for life everywhere, and perhaps no more
discontent and heart-burning and certainly less ennui than in the palaces
on the avenues.