accused of dodging. If she is nothing else, she is sincere, one might say
wantonly sincere. And this lucid, candid inner life is reflected in her
dress. This is not only simple in its form, in its lines; it is severe.
To go into the shop of a European modiste is almost to put one's self
into a truthful and candid frame of mind. Those leave frivolous ideas
behind who enter here. The 'modiste' will tell the philosopher that it is
now the fashion to be severe; in a word, it is 'fesch'. Nothing can go
beyond that. And it symbolizes the whole life, its self-examination,
earnestness, utmost candor in speech and conduct.

The statesman who is busy about his tariff and his reciprocity, and his
endeavor to raise money like potatoes, may little heed and much
undervalue this advent of candor into the world as a social force. But
the philosopher will make no such mistake. He knows that they who build
without woman build in vain, and that she is the great regenerator, as
she is the great destroyer. He knows too much to disregard the gravity of
any fashionable movement. He knows that there is no power on earth that
can prevent the return of the long skirt. And that if the young woman has
decided to be severe and candid and frank with herself and in her
intercourse with others, we must submit and thank God.

And what a gift to the world is this for the Christmas season! The
clear-eyed young woman of the future, always dear and often an anxiety,
will this year be an object of enthusiasm.




THE AMERICAN MAN