Fashions in Literature by Charles Dudley Warner
page 20 of 22 (90%)
page 20 of 22 (90%)
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a moral and intellectual sin to flounder about blindly in the flood of
new publications. I am speaking, of course, of the general mass of readers, and not of the specialists who must follow their subjects with ceaseless inquisition. But for most of us who belong to the still comparatively few who, really read books, the main object of life is not to keep up with the printing-press, any more than it is the main object of sensible people to follow all the extremes and whims of fashion in dress. When a fashion in literature has passed, we are surprised that it should ever have seemed worth the trouble of studying or imitating. When the special craze has passed, we notice another thing, and that is that the author, not being of the first rank or of the second, has generally contributed to the world all that he has to give in one book, and our time has been wasted on his other books; and also that in a special kind of writing in a given period--let us say, for example, the historico-romantic--we perceive that it all has a common character, is constructed on the same lines of adventure and with a prevailing type of hero and heroine, according to the pattern set by the first one or two stories of the sort which became popular, and we see its more or less mechanical construction, and how easily it degenerates into commercial book-making. Now while some of this writing has an individual flavor that makes it entertaining and profitable in this way, we may be excused from attempting to follow it all merely because it happens to be talked about for the moment, and generally talked about in a very undiscriminating manner. We need not in any company be ashamed if we have not read it all, especially if we are ashamed that, considering the time at our disposal, we have not made the acquaintance of the great and small masterpieces of literature. It is said that the fashion of this world passeth away, and so does the mere fashion in literature, the fashion that does not follow the eternal law of beauty and symmetry, and contribute to the intellectual and spiritual part of man. Otherwise it is only a waiting in |
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