FASHIONS IN LITERATURE

If you examine a collection of prints of costumes of different
generations, you are commonly amused by the ludicrous appearance of most
of them, especially of those that are not familiar to you in your own
decade. They are not only inappropriate and inconvenient to your eye, but
they offend your taste. You cannot believe that they were ever thought
beautiful and becoming. If your memory does not fail you, however, and
you retain a little honesty of mind, you can recall the fact that a
costume which seems to you ridiculous today had your warm approval ten
years ago. You wonder, indeed, how you could ever have tolerated a
costume which has not one graceful line, and has no more relation to the
human figure than Mambrino's helmet had to a crown of glory. You cannot
imagine how you ever approved the vast balloon skirt that gave your
sweetheart the appearance of the great bell of Moscow, or that you
yourself could have been complacent in a coat the tails of which reached
your heels, and the buttons of which, a rudimentary survival, were
between your shoulder-blades--you who are now devoted to a female figure
that resembles an old-fashioned churn surmounted by an isosceles
triangle.

These vagaries of taste, which disfigure or destroy correct proportions
or hide deformities, are nowhere more evident than in the illustrations
of works of fiction. The artist who collaborates with the contemporary