when the mirror shows nothing but vice and social disorder, leaving out
the saving qualities that keep society on the whole, and family life as a
rule, as sweet and good as they are, the mirror is not held up to nature,
but more likely reflects a morbid mind. Still it must be added that the
study of unfortunate social conditions is a legitimate one for the author
to make; and that we may be in no state to judge justly of his exposure
while the punishment is being inflicted, or while the irritation is
fresh. For, no doubt, the reader winces often because the novel reveals
to himself certain possible baseness, selfishness, and meanness. Of this,
however, I (speaking for myself) may be sure: that the artist who so
represents vulgar life that I am more in love with my kind, the satirist
who so depicts vice and villainy that I am strengthened in my moral
fibre, has vindicated his choice of material. On the contrary, those
novelists are not justified whose forte it seems to be to so set forth
goodness as to make it unattractive.

But we come back to the general proposition that the indispensable
condition of the novel is that it shall entertain. And for this purpose
the world is not ashamed to own that it wants, and always will want, a
story--a story that has an ending; and if not a good ending, then one
that in noble tragedy lifts up our nature into a high plane of sacrifice
and pathos. In proof of this we have only to refer to the masterpieces of
fiction which the world cherishes and loves to recur to.

I confess that I am harassed with the incomplete romances, that leave me,
when the book is closed, as one might be on a waste plain at midnight,
abandoned by his conductor, and without a lantern. I am tired of
accompanying people for hours through disaster and perplexity and
misunderstanding, only to see them lost in a thick mist at last. I am
weary of going to funerals, which are not my funerals, however chatty and