English heroes that the boys declaimed. I do not know how much the
imagination has to do in shaping the national character, but for half a
century English writers, by poems and novels, controlled the imagination
of this country. The principal reading then, as now--and perhaps more
then than now--was fiction, and nearly all of this England supplied. We
took in with it, it will be noticed, not only the romance and gilding of
chivalry and legitimacy, such as Scott gives us, but constant instruction
in a society of ranks and degrees, orders of nobility and commonalty, a
fixed social status, a well-ordered, and often attractive, permanent
social inequality, a state of life and relations based upon lingering
feudal conditions and prejudices. The background of all English fiction
is monarchical; however liberal it may be, it must be projected upon the
existing order of things. We have not been examining these foreign social
conditions with that simple curiosity which leads us to look into the
social life of Russia as it is depicted in Russian novels; we have, on
the contrary, absorbed them generation after generation as part of our
intellectual development, so that the novels and the other English
literature must have had a vast influence in molding our mental
character, in shaping our thinking upon the political as well as the
social constitution of states.

For a long time the one American counteraction, almost the only, to this
English influence was the newspaper, which has always kept alive and
diffused a distinctly American spirit--not always lovely or modest, but
national. The establishment of periodicals which could afford to pay for
fiction written about our society and from the American point of view has
had a great effect on our literary emancipation. The wise men whom we
elect to make our laws--and who represent us intellectually and morally a
good deal better than we sometimes like to admit--have always gone upon
the theory, with regard to the reading for the American people, that the