The barbers were as cunning in variety as the tailors. Sometimes the head
was polled; sometimes the hair was curled, and then suffered to grow long
like a woman's locks, and many times cut off, above or under the ears,
round as by a wooden dish. And so with the beards: some shaved from the
chin, like the Turks; some cut short, like the beard of the Marquis Otto;
some made round, like a rubbing-brush; some peaked, others grown long. If
a man have a lean face, the Marquis Otto's cut makes it broad; if it be
platterlike, the long, slender beard makes it seem narrow; "if he be
weasel-beaked, then much hair left on the cheeks will make the owner look
big like a bowdled hen, and so grim as a goose." Some courageous
gentlemen wore in their ears rings of gold and stones, to improve God's
work, which was otherwise set off by monstrous quilted and stuffed
doublets, that puffed out the figure like a barrel.

There is some consolation, though I don't know why, in the knowledge that
writers have always found fault with women's fashions, as they do today.
Harrison says that the women do far exceed the lightness of the men;
"such staring attire as in time past was supposed meet for light
housewives only is now become an habit for chaste and sober matrons." And
he knows not what to say of their doublets, with pendant pieces on the
breast full of jags and cuts; their "galligascons," to make their dresses
stand out plumb round; their farthingales and divers colored stockings.
"I have met," he says, "with some of these trulls in London so disguised
that it hath passed my skill to determine whether they were men or
women." Of all classes the merchants were most to be commended for rich
but sober attire; "but the younger sort of their wives, both in attire
and costly housekeeping, cannot tell when and how to make an end, as
being women indeed in whom all kind of curiosity is to be found and
seen." Elizabeth's time, like our own, was distinguished by new
fashionable colors, among which are mentioned a queer greenish-yellow, a