much disgusted when a lion and lioness, with the dog that pursued them,
all ran into the den, and, like good friends, stood very peaceably
together looking out at the people.

The famous Globe Theatre, which was built in 1599, was burned in 1613,
and in the fire it is supposed were consumed Shakespeare's manuscripts of
his plays. It was of wood (for use in summer only), octagon shaped, with
a thatched roof, open in the centre. The daily performance here, as in
all theatres, was at three o'clock in the afternoon, and boys outside
held the horses of the gentlemen who went in to the play. When theatres
were restrained, in 1600, only two were allowed, the Globe and the
Fortune, which was on the north side, on Golden Lane. The Fortune was
fifty feet square within, and three stories high, with galleries, built
of wood on a brick foundation, and with a roof of tiles. The stage was
forty-three feet wide, and projected into the middle of the yard (as the
pit was called), where the groundlings stood. To one of the galleries
admission was only twopence. The young gallants used to go into the yards
and spy about the galleries and boxes for their acquaintances. In these
theatres there was a drop-curtain, but little or no scenery. Spectators
had boxes looking on the stage behind the curtain, and they often sat
upon the stage with the actors; sometimes the actors all remained upon
the stage during the whole play. There seems to have been great
familiarity between the audience and the actors. Fruits in season,
apples, pears, and nuts, with wine and beer, were carried about to be
sold, and pipes were smoked. There was neither any prudery in the plays
or the players, and the audiences in behavior were no better than the
plays.

The actors were all men. The female parts were taken usually by boys, but
frequently by grown men, and when Juliet or Desdemona was announced, a