is a representation, in fresco painting, of the triumphal entry into
the city of the Emperor Louis of Bavaria after the battle of Ampfing.
On one side of the gate is a portrait of the Virgin, on gold ground,
and on the other a very passable one of the late Dr. Hawes of
Hartford, with a Pope's hat on. Walking on, I came to another arched
gateway and clock-tower; near it an old church, with a high wall
adjoining, whereon is a fresco of cattle led to slaughter, showing
that I am in the vicinity of the Victual Market; and I enter it
through a narrow, crooked alley. There is nothing there but an
assemblage of shabby booths and fruit-stands, and an ancient stone
tower in ruins and overgrown with ivy.

Leaving this, I came out to the Marian Platz, where stands the
column, with the statue of the Virgin and Child, set up by Maximilian
I. in 1638 to celebrate the victory in the battle which established
the Catholic supremacy in Bavaria. It is a favorite praying-place
for the lower classes. Yesterday was a fete day, and the base of the
column and half its height are lost in a mass of flowers and
evergreens. In front is erected an altar with a broad, carpeted
platform; and a strip of the platz before it is inclosed with a
railing, within which are praying-benches. The sun shines down hot;
but there are several poor women kneeling there, with their baskets
beside them. I happen along there at sundown; and there are a score
of women kneeling on the hard stones, outside the railing saying
their prayers in loud voices. The mass of flowers is still sweet and
gay and fresh; a fountain with fantastic figures is flashing near by;
the crowd, going home to supper and beer, gives no heed to the
praying; the stolid droschke-drivers stand listlessly by. At the
head of the square is an artillery station, and a row of cannon
frowns on it. On one side is a house with a tablet in the wall,