muster-roll. From the tower here one looks upon the cockpit of
Europe. And yet Antwerp ought to have rest: she has had tumult
enough in her time. Prosperity seems returning to her; but her old,
comparative splendor can never come back. In the sixteenth century
there was no richer city in Europe.

We walked one evening past the cathedral spire, which begins in the
richest and most solid Gothic work, and grows up into the sky into an
exquisite lightness and grace, down a broad street to the Scheldt.
What traffic have not these high old houses looked on, when two
thousand and five hundred vessels lay in the river at one time, and
the commerce of Europe found here its best mart. Along the stream
now is a not very clean promenade for the populace; and it is lined
with beer-houses, shabby theaters, and places of the most childish
amusements. There is an odd liking for the simple among these
people. In front of the booths, drums were beaten and instruments
played in bewildering discord. Actors in paint and tights stood
without to attract the crowd within. On one low balcony, a
copper-colored man, with a huge feather cap and the traditional dress
of the American savage, was beating two drums; a burnt-cork black man
stood beside him; while on the steps was a woman, in hat and shawl,
making an earnest speech to the crowd. In another place, where a
crazy band made furious music, was an enormous "go-round" of wooden
ponies, like those in the Paris gardens, only here, instead of
children, grown men and women rode the hobby-horses, and seemed
delighted with the sport. In the general Babel, everybody was
good-natured and jolly. Little things suffice to amuse the lower
classes, who do not have to bother their heads with elections and
mass meetings.