penitent dejection that seems to merit better treatment. Over the
great portal of St. Lawrence--a magnificent structure, with lofty
twin spires and glorious rosewindow is carved "The Last Judgment."
Underneath, the dead are climbing out of their stone coffins; above
sits the Judge, with the attending angels. On the right hand go away
the stiff, prim saints, in flowing robes, and with palms and harps,
up steps into heaven, through a narrow door which St. Peter opens for
them; while on the left depart the wicked, with wry faces and
distorted forms, down into the stone flames, towards which the Devil
is dragging them by their stony hair.

The interior of the Church of St. Lawrence is richer than any other I
remember, with its magnificent pillars of dark red stone, rising and
foliating out to form the roof; its splendid windows of stained
glass, glowing with sacred story; a high gallery of stone entirely
round the choir, and beautiful statuary on every column. Here, too,
is the famous Sacrament House of honest old Adam Kraft, the most
exquisite thing I ever saw in stone. The color is light gray; and it
rises beside one of the dark, massive pillars, sixty-four feet,
growing to a point, which then strikes the arch of the roof, and
there curls up like a vine to avoid it. The base is supported by the
kneeling figures of Adam Kraft and two fellow-workmen, who labored on
it for four years. Above is the Last Supper, Christ blessing little
children, and other beautiful tableaux in stone. The Gothic spire
grows up and around these, now and then throwing out graceful
tendrils, like a vine, and seeming to be rather a living plant than
inanimate stone. The faithful artist evidently had this feeling for
it; for, as it grew under his hands, he found that it would strike
the roof, or he must sacrifice something of its graceful proportion.
So his loving and daring genius suggested the happy design of letting