deceived every year. And this is called an age of skepticism. Man
never believed in so many things as now: he never believed so much in
himself. As to Nature, he knows her secrets: he can predict what she
will do. He communicates with the next world by means of an alphabet
which he has invented. He talks with souls at the other end of the
spirit-wire. To be sure, neither of them says anything; but they
talk. Is not that something? He suspends the law of gravitation as
to his own body--he has learned how to evade it--as tyrants suspend
the legal writs of habeas corpus. When Gravitation asks for his
body, she cannot have it. He says of himself, "I am infallible; I am
sublime." He believes all these things. He is master of the
elements. Shakespeare sends him a poem just made, and as good a poem
as the man could write himself. And yet this man--he goes out of
doors without his overcoat, catches cold, and is buried in three
days. "On the 21st of January," exclaimed Mercier, "all kings felt
for the backs of their necks." This might be said of all men in New
England in the spring. This is the season that all the poets
celebrate. Let us suppose that once, in Thessaly, there was a genial
spring, and there was a poet who sang of it. All later poets have
sung the same song. "Voila tout!" That is the root of poetry.

Another delusion. We hear toward evening, high in air, the "conk" of
the wild-geese. Looking up, you see the black specks of that
adventurous triangle, winging along in rapid flight northward.
Perhaps it takes a wide returning sweep, in doubt; but it disappears
in the north. There is no mistaking that sign. This unmusical
"conk" is sweeter than the "kerchunk" of the bull-frog. Probably
these birds are not idiots, and probably they turned back south again
after spying out the nakedness of the land; but they have made their
sign. Next day there is a rumor that somebody has seen a bluebird.