at the approach of a stranger, climb to the sharp points of
projecting rocks, and attitudinize in the most self-conscious manner,
striking at once those picturesque postures against the sky with
which Oriental pictures have made us and them familiar. But the
whole proceeding was theatrical.

Greece is the home of art, and it is rare to find anything there
natural and unstudied. I presume that these goats have no nonsense
about them when they are alone with the goatherds, any more than the
goatherds have, except when they come to pose in the studio; but the
long ages of culture, the presence always to the eye of the best
models and the forms of immortal beauty, the heroic friezes of the
Temple of Theseus, the marble processions of sacrificial animals,
have had a steady molding, educating influence equal to a society of
decorative art upon the people and the animals who have dwelt in this
artistic atmosphere. The Attic goat has become an artificially
artistic being; though of course he is not now what he was, as a
poser, in the days of Polycletus. There is opportunity for a very
instructive essay by Mr. E. A. Freeman on the decadence of the Attic
goat under the influence of the Ottoman Turk.

The American deer, in the free atmosphere of our country, and as yet
untouched by our decorative art, is without self-consciousness, and
all his attitudes are free and unstudied. The favorite position of
the deer--his fore-feet in the shallow margin of the lake, among the
lily-pads, his antlers thrown back and his nose in the air at the
moment he hears the stealthy breaking of a twig in the forest--is
still spirited and graceful, and wholly unaffected by the pictures of
him which the artists have put upon canvas.