In the Wilderness by Charles Dudley Warner
page 75 of 111 (67%)
page 75 of 111 (67%)
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woodpecker, the call of the lonely bird, the drumming of the solitary
partridge,--all these sounds do but emphasize the lonesomeness of nature. The roar of the mountain brook, dashing over its bed of pebbles, rising out of the ravine, and spreading, as it were, a mist of sound through all the forest (continuous beating waves that have the rhythm of eternity in them), and the fitful movement of the air-tides through the balsams and firs and the giant pines,--how these grand symphonies shut out the little exasperations of our vexed life! It seems easy to begin life over again on the simplest terms. Probably it is not so much the desire of the congregation to escape from the preacher, or of the preacher to escape from himself, that drives sophisticated people into the wilderness, as it is the unconquered craving for primitive simplicity, the revolt against the everlasting dress-parade of our civilization. From this monstrous pomposity even the artificial rusticity of a Petit Trianon is a relief. It was only human nature that the jaded Frenchman of the regency should run away to the New World, and live in a forest-hut with an Indian squaw; although he found little satisfaction in his act of heroism, unless it was talked about at Versailles. When our trampers come, late in the afternoon, to the bank of a lovely lake where they purpose to enter the primitive life, everything is waiting for them in virgin expectation. There is a little promontory jutting into the lake, and sloping down to a sandy beach, on which the waters idly lapse, and shoals of red-fins and shiners come to greet the stranger; the forest is untouched by the axe; the tender green sweeps the water's edge; ranks of slender firs are marshaled by the shore; clumps of white-birch stems shine in satin purity among the evergreens; the boles of giant spruces, maples, and oaks, lifting high their crowns of foliage, stretch away |
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