custom speaks volumes for the non-inventiveness of woman. At the inn
in New Glasgow those who choose dine in their shirt-sleeves, and
those skilled in the ways of this table get all they want in seven
minutes. A man who understands the use of edged tools can get along
twice as fast with a knife and fork as he can with a fork alone.

But the stage is at the door; the coach and four horses answer the
advertisement of being "second to none on the continent." We mount
to the seat with the driver. The sun is bright; the wind is in the
southwest; the leaders are impatient to go; the start for the long
ride is propitious.

But on the back seat in the coach is the inevitable woman, young and
sickly, with the baby in her arms. The woman has paid her fare
through to Guysborough, and holds her ticket. It turns out, however,
that she wants to go to the district of Guysborough, to St. Mary's
Cross Roads, somewhere in it, and not to the village of Guysborough,
which is away down on Chedabucto Bay. (The reader will notice this
geographical familiarity.) And this stage does not go in the
direction of St. Mary's. She will not get out, she will not
surrender her ticket, nor pay her fare again. Why should she? And
the stage proprietor, the stage-driver, and the hostler mull over the
problem, and sit down on the woman's hair trunk in front of the
tavern to reason with her. The baby joins its voice from the coach
window in the clamor of the discussion. The baby prevails. The
stage company comes to a compromise, the woman dismounts, and we are
off, away from the white houses, over the sandy road, out upon a
hilly and not cheerful country. And the driver begins to tell us
stories of winter hardships, drifted highways, a land buried in snow,
and great peril to men and cattle.