The fireplace, as we said, is a window through which we look out upon
other scenes. We like to read of the small, bare room, with
cobwebbed ceiling and narrow window, in which the poor child of
genius sits with his magical pen, the master of a realm of beauty and
enchantment. I think the open fire does not kindle the imagination
so much as it awakens the memory; one sees the past in its crumbling
embers and ashy grayness, rather than the future. People become
reminiscent and even sentimental in front of it. They used to become
something else in those good old days when it was thought best to
heat the poker red hot before plunging it into the mugs of flip.
This heating of the poker has been disapproved of late years, but I
do not know on what grounds; if one is to drink bitters and gins and
the like, such as I understand as good people as clergymen and women
take in private, and by advice, I do not know why one should not make
them palatable and heat them with his own poker. Cold whiskey out of
a bottle, taken as a prescription six times a day on the sly, is n't
my idea of virtue any more than the social ancestral glass, sizzling
wickedly with the hot iron. Names are so confusing in this world;
but things are apt to remain pretty much the same, whatever we call
them.

Perhaps as you look into the fireplace it widens and grows deep and
cavernous. The back and the jambs are built up of great stones, not
always smoothly laid, with jutting ledges upon which ashes are apt to
lie. The hearthstone is an enormous block of trap rock, with a
surface not perfectly even, but a capital place to crack butternuts
on. Over the fire swings an iron crane, with a row of pot-hooks of
all lengths hanging from it. It swings out when the housewife wants
to hang on the tea-kettle, and it is strong enough to support a row
of pots, or a mammoth caldron kettle on occasion. What a jolly sight