The Complete Project Gutenberg Writings of Charles Dudley Warner by Charles Dudley Warner
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consideration for her feelings which has omitted the usual
description of "a sunset at sea.") When we looked from our state-room window in the morning we saw land. We were passing within a stone's throw of a pale-green and rather cold-looking coast, with few trees or other evidences of fertile soil. Upon going out I found that we were in the harbor of Eastport. I found also the usual tourist who had been up, shivering in his winter overcoat, since four o'clock. He described to me the magnificent sunrise, and the lifting of the fog from islands and capes, in language that made me rejoice that he had seen it. He knew all about the harbor. That wooden town at the foot of it, with the white spire, was Lubec; that wooden town we were approaching was Eastport. The long island stretching clear across the harbor was Campobello. We had been obliged to go round it, a dozen miles out of our way, to get in, because the tide was in such a stage that we could not enter by the Lubec Channel. We had been obliged to enter an American harbor by British waters. We approached Eastport with a great deal of curiosity and considerable respect. It had been one of the cities of the imagination. Lying in the far east of our great territory, a military and even a sort of naval station, a conspicuous name on the map, prominent in boundary disputes and in war operations, frequent in telegraphic dispatches,--we had imagined it a solid city, with some Oriental, if decayed, peculiarity, a port of trade and commerce. The tourist informed me that Eastport looked very well at a distance, with the sun shining on its white houses. When we landed at its wooden dock we saw that it consisted of a few piles of lumber, a sprinkling of small cheap houses along a sidehill, a big hotel with a |
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