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A Summer in a Canyon by Kate Douglas Smith Wiggin
page 80 of 218 (36%)



CHAPTER IV: RHYME AND REASON



A BUDGET OF LETTERS FROM THE CAMP MAIL-BAG

'The letter of a friend is a likeness passing true.'


Our friend Polly was seated in a secluded spot whence all but her had
fled; her grave demeanour, her discarded sun-bonnet, her corrugated
brow, all bespoke more than common fixedness of purpose, the cause of
which will be discovered in what follows.

I. FROM THE COUNTESS PAULINA OLIVERA TO HER FRIEND AND CONFIDANTE,
THE LADY ELSIE HOWARD. {1}

Scene: A sequestered nook in the Valley of the Flowers.

CAMP CHAPARRAL, July 6, 188-.

The countess is discovered at her ommerlu {1a} writing-table. A
light zephyr {1b} plays with her golden locks {1c} and caresses her
Grecian {1d} nose--a nose that carries on its surface a few trifling
freckles, which serve but to call attention to its exquisite purity
of outline and the height of its ambition. Her eyes reflect the
changing shadows of moonlight, and her mouth is one fit for sweet
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