A Village Stradivarius by Kate Douglas Smith Wiggin
page 30 of 50 (60%)
page 30 of 50 (60%)
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there was no escape; at others, the ethereal purity of the strain
stirred her heart with a strange, sweet vision of mysterious joy; joy that she had never possessed, would never possess; joy whose bare existence she never before realised. When the low notes sank lower and lower with their soft wail of delicious woe, she bent forward into the dark, dreading that something would be lost in the very struggle of listening; then, after a pause, a pure human tone would break the stillness, and soaring, birdlike, higher and higher, seem to mount to heaven itself, and, "piercing its starry floors," lift poor scarred Lydia's soul to the very gates of infinite bliss. In the gentle moods that stole upon her in those summer twilights she became a different woman, softer in her prosperity than she had ever been in her adversity; for some plants only blossom in sunshine. What wonder if to her the music and the musician became one? It is sometimes a dangerous thing to fuse the man and his talents in this way; but it did no harm here, for Anthony Croft was his music, and the music was Anthony Croft. When he played on his violin, it was as if the miracle of its fashioning were again enacted; as if the bird on the quivering bough, the mellow sunshine streaming through the lattice of green leaves, the tinkle of the woodland stream, spoke in every tone; and more than this, the hearth-glow in whose light the patient hands had worked, the breath of the soul bending itself in passionate prayer for perfection, these, too, seemed to have wrought their blessed influence on the willing strings until the tone was laden with spiritual harmony. One might indeed have sung of this little red violin--that looked to Lyddy, in the sunset glow, as if it were veneered with rubies--all that Shelley sang of another perfect instrument: |
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