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The City of Domes : a walk with an architect about the courts and palaces of the Panama-Pacific International Exposition, with a discussion of its architecture, its sculpture, its mural decorations, its coloring and its lighting, preceded by a history of by John D. (John Daniel) Barry
page 6 of 196 (03%)
close relation to California and because it is in itself magnificent,
and of two notable art features, the mural painting by Bianca in the
Italian Building, and "The Thinker", by Rodin, in the court of the
French Pavilion.



Introduction



The First Steps



In January, 1904, R. B. Hale of San Francisco wrote to his
fellow-directors of the Merchants' Association, that, in 1915, San
Francisco ought to hold an exposition to celebrate the opening of the
Panama Canal. In the financing of the St. Louis Exposition, soon to
begin, Mr. Hale found a model for his plan. Five million dollars should
be raised by popular subscription, five million dollars should be asked
from the State, and five million dollars should be provided by city
bonds.

The idea was promptly endorsed by the business associations.

From their chairmen was formed a board of governors. It was decided that
the exposition should be held, and formal notification was given to the
world by introducing into Congress a bill that provided for an
appropriation of five million dollars. The bill was not acted on, and it
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