The City of Domes : a walk with an architect about the courts and palaces of the Panama-Pacific International Exposition, with a discussion of its architecture, its sculpture, its mural decorations, its coloring and its lighting, preceded by a history of by John D. (John Daniel) Barry
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page 6 of 196 (03%)
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close relation to California and because it is in itself magnificent,
and of two notable art features, the mural painting by Bianca in the Italian Building, and "The Thinker", by Rodin, in the court of the French Pavilion. Introduction The First Steps In January, 1904, R. B. Hale of San Francisco wrote to his fellow-directors of the Merchants' Association, that, in 1915, San Francisco ought to hold an exposition to celebrate the opening of the Panama Canal. In the financing of the St. Louis Exposition, soon to begin, Mr. Hale found a model for his plan. Five million dollars should be raised by popular subscription, five million dollars should be asked from the State, and five million dollars should be provided by city bonds. The idea was promptly endorsed by the business associations. From their chairmen was formed a board of governors. It was decided that the exposition should be held, and formal notification was given to the world by introducing into Congress a bill that provided for an appropriation of five million dollars. The bill was not acted on, and it |
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