palette and brushes on a chair beside it. There were books everywhere:
Robertson's Sermons, Tennyson, Moody and Sankey, Hawthorne, Rab and His
Friends, cook-books, prayer-books, pattern-books--and books about all
kinds of odious and exasperating pottery, of course. There was a piano,
with a deck-load of music, and more in a tender. There was a great
plenty of pictures on the walls, on the shelves of the mantelpiece, and
around generally; where coigns of vantage offered were statuettes, and
quaint and pretty gimcracks, and rare and costly specimens of peculiarly
devilish china. The bay-window gave upon a garden that was ablaze with
foreign and domestic flowers and flowering shrubs.

But the sweet young girl was the daintiest thing these premises, within
or without, could offer for contemplation: delicately chiseled features,
of Grecian cast; her complexion the pure snow of a japonica that is
receiving a faint reflected enrichment from some scarlet neighbor of the
garden; great, soft blue eyes fringed with long, curving lashes; an
expression made up of the trustfulness of a child and the gentleness of
a fawn; a beautiful head crowned with its own prodigal gold; a lithe and
rounded figure, whose every attitude and movement was instinct with
native grace.

Her dress and adornment were marked by that exquisite harmony that can
come only of a fine natural taste perfected by culture. Her gown was of
a simple magenta tulle, cut bias, traversed by three rows of light-blue
flounces, with the selvage edges turned up with ashes-of-roses chenille;
overdress of dark bay tarlatan with scarlet satin lambrequins;
corn-colored polonaise, en zanier, looped with mother-of-pearl buttons
and silver cord, and hauled aft and made fast by buff velvet lashings;
basque of lavender reps, picked out with valenciennes; low neck, short
sleeves; maroon velvet necktie edged with delicate pink silk; inside