light of a horse, and a diminished and unimportant background of sublime
Niagara; and a great many people have the incredible effrontery or the
native depravity to aid and abet this sort of crime.

Any day, in the hands of these photographers, you may see stately
pictures of papa and mamma, Johnny and Bub and Sis or a couple of country
cousins, all smiling vacantly, and all disposed in studied and
uncomfortable attitudes in their carriage, and all looming up in their
awe-inspiring imbecility before the snubbed and diminished presentment of
that majestic presence whose ministering spirits are the rainbows, whose
voice is the thunder, whose awful front is veiled in clouds, who was
monarch here dead and forgotten ages before this sackful of small
reptiles was deemed temporarily necessary to fill a crack in the world's
unnoted myriads, and will still be monarch here ages and decades of ages
after they shall have gathered themselves to their blood-relations, the
other worms, and been mingled with the unremembering dust.

There is no actual harm in making Niagara a background whereon to display
one's marvelous insignificance in a good strong light, but it requires a
sort of superhuman self-complacency to enable one to do it.

When you have examined the stupendous Horseshoe Fall till you are
satisfied you cannot improve on it, you return to America by the new
Suspension Bridge, and follow up the bank to where they exhibit the Cave
of the Winds.

Here I followed instructions, and divested myself of all my clothing, and
put on a waterproof jacket and overalls. This costume is picturesque,
but not beautiful. A guide, similarly dressed, led the way down a flight
of winding stairs, which wound and wound, and still kept on winding long