Mark Twain made of 1601 a very smart and fascinating performance, carried
over almost to grotesqueness just to show it was not done for mere
delight in the frank naturalism of the functions with which it deals.
That Mark Twain had made considerable study of this frankness is apparent
from chapter four of 'A Yankee At King Arthur's Court,' where he refers
to the conversation at the famous Round Table thus:

"Many of the terms used in the most matter-of-fact way by this great
assemblage of the first ladies and gentlemen of the land would have made
a Comanche blush. Indelicacy is too mild a term to convey the idea.
However, I had read Tom Jones and Roderick Random and other books of that
kind and knew that the highest and first ladies and gentlemen in England
had remained little or no cleaner in their talk, and in the morals and
conduct which such talk implies, clear up to one hundred years ago; in
fact clear into our own nineteenth century--in which century, broadly
speaking, the earliest samples of the real lady and the real gentleman
discoverable in English history,--or in European history, for that
matter--may be said to have made their appearance. Suppose Sir Walter
[Scott] instead of putting the conversation into the mouths of his
characters, had allowed the characters to speak for themselves? We
should have had talk from Rebecca and Ivanhoe and the soft lady Rowena
which would embarrass a tramp in our day. However, to the unconsciously
indelicate all things are delicate."

Mark Twain's interest in history and in the depiction of historical
periods and characters is revealed through his fondness for historical
reading in preference to fiction, and through his other historical
writings. Even in the hilarious, youthful days in San Francisco, Paine
reports that "Clemens, however, was never quite ready for sleep. Then,
as ever, he would prop himself up in bed, light his pipe, and lose