than ever. So it would be worth going a long way to see it well played;
for without any question an actor of genius always adds a subtle
something to any man's work that none but the writer knew was there
before. Even if he knew it. I have heard of readers convulsing
audiences with my "Aurelia's Unfortunate Young Man." If there is
anything really funny in the piece, the author is not aware of it.

All right--advertise me for the new volume. I send you herewith a sketch
which will make 3 pages of the Atlantic. If you like it and accept it,
you should get it into the December No. because I shall read it in public
in Boston the 13th and 14th of Nov. If it went in a month earlier it
would be too old for me to read except as old matter; and if it went in a
month later it would be too old for the Atlantic--do you see? And if you
wish to use it, will you set it up now, and send me three proofs?--one
to correct for Atlantic, one to send to Temple Bar (shall I tell them to
use it not earlier than their November No.) and one to use in practising
for my Boston readings.

We must get up a less elaborate and a much better skeleton-plan for the
Blindfold Novels and make a success of that idea. David Gray spent
Sunday here and said we could but little comprehend what a rattling stir
that thing would make in the country. He thought it would make a mighty
strike. So do I. But with only 8 pages to tell the tale in, the plot
must be less elaborate, doubtless. What do you think?

When we exchange visits I'll show you an unfinished sketch of Elizabeth's
time which shook David Gray's system up pretty exhaustively.
Yrs ever,
MARK.