that his invention or his painting or his book is--apparently--a trifle
better than you yourself can do, therefore why shouldn't you be willing
to put your hall-mark on it? You will be giving the purchaser his full
money's worth; so who is hurt, and where is the harm? Besides, are you
not helping a struggling fellow-craftsman, and is it not your duty to do
that?

That side is plenty clear enough to him, but he can't and won't see the
other side, to-wit: that you are a rascal if you put your hall-mark upon
a thing which you did not produce yourself, howsoever good it may be.
How simple that is; and yet there are not two applicants in a hundred who
can, be made to see it.

When one receives an application of this sort, his first emotion is an
indignant sense of insult; his first deed is the penning of a sharp
answer. He blames nobody but that other person. That person is a very
base being; he must be; he would degrade himself for money, otherwise it
would not occur to him that you would do such a thing. But all the same,
that application has done its work, and taken you down in your own
estimation. You recognize that everybody hasn't as high an opinion of
you as you have of yourself; and in spite of you there ensues an interval
during which you are not, in your own estimation as fine a bird as you
were before.

However, being old and experienced, you do not mail your sharp letter,
but leave it lying a day. That saves you. For by that time you have
begun to reflect that you are a person who deals in exaggerations--and
exaggerations are lies. You meant yours to be playful, and thought you
made them unmistakably so. But you couldn't make them playfulnesses to a
man who has no sense of the playful and can see nothing but the serious