The tragic fervor, the startling passion, and the impressive dignity
with which he invested his various roles, have not been equaled, I
daresay, by any actor on the English speaking stage since the days
of Garrick and Kean. He had a voice that vibrated with every mood,
and a mien, despite his short stature, that gave a lofty dignity
to every part that he played. But Booth as himself was a simple,
modest, amiable human being. Many of us younger men came to know
him in a personal way, when he established in New York City the
Players' Club, which he dedicated to the dramatic profession, and
which is now a splendid and permanent monument to his fame and
generosity.

I saw him frequently and had many chats with him. When I undertook
the management of E. H. Southern, he was very much interested
because he knew young Sothern's father, the original Lord Dundrery;
so, when Mr. Sothern appeared in the first play under my management,
"The Highest Bidder," I invited Mr. Booth to witness the performance.
He expressed his delight at seeing his old friend's son doing such
delightful work, and the three of us afterwards met at a little
supper at the Players'. He told us that he came nearly being the
Godfather of young Sothern, and that he was to have been called
"Edwin" after himself; but the reason why his name was changed to
"Edward," he explained, was as follows: When young Sothern was
born in New Orleans, the elder Sothern telegraphed Booth, asking
him to stand as Godfather to his boy, but Booth did not wish to
take the responsibility, doubtless for reasons of his own, and so
his name was changed to "Edward"; but he confessed that it was a
matter he greatly regretted. He told us many stories of his early
career as an actor, one of which I remember as a very amusing experience
on the part of the elder actor when on his way to Australia. Mr.