foundation of the bank-barn. During the winter, previous the "timber was
got out." From the forest trees, maple, beech or elm--for the pine was
long since gone--the main sills, the plates, the posts and cross-beams
were squared and hauled to the site of the new barn. Hither also the
sand from the pit at the big hill, and the stone from the heap at the
bottom of the lane, were drawn. And before the snow had quite gone
the lighter lumber--flooring, scantling, sheeting and shingles--were
marshalled to the scene of action. Then with the spring the masons and
framers appeared and began their work of organising from this mass of
material the structure that was to be at once the pride of the farm and
the symbol of its prosperity.

From the very first the enterprise was carried on under the
acknowledged, but none the less critical, observation of the immediate
neighbourhood. For instance, it had been a matter of free discussion
whether "them timbers of McLeod's new barn wasn't too blamed heavy,"
and it was Jack McKenzie's openly expressed opinion that "one of them
'purline plates' was so all-fired crooked that it would do for both
sides at onct." But the confidence of the community in Jack Murray,
framer, was sufficiently strong to allay serious forebodings. And by the
time the masons had set firm and solid the many-coloured boulders in
the foundation, the community at large had begun to take interest in the
undertaking.

The McLeod raising was to be an event of no ordinary importance. It
had the distinction of being, in the words of Jack Murray, framer,
"the biggest thing in buildin's ever seen in them parts." Indeed, so
magnificent were its dimensions that Ben Fallows, who stood just five
feet in his stocking soles, and was, therefore, a man of considerable
importance in his estimation, was overheard to exclaim with an air of