The Mirror of Literature, Amusement, and Instruction - Volume 13, No. 365, April 11, 1829 by Various
page 38 of 55 (69%)
page 38 of 55 (69%)
![]() | ![]() |
|
"You talk of the text of Shakspeare as your authority," replied
McCrab,--"I will appeal to the text too--and I will take the description of Hamlet by Ophelia, after her interview with him. What is her language? 'Oh what a noble mind is here o'erthrown! The expectancy and rose of the fair state: The _glass_ of _fashion_ and the _mould_ of _form_, The _observed_ of all _observers_.' This eulogium paints in distinct colours what should be the personation of Hamlet on the stage. It demands, not a little fellow, five feet five, by three feet four, as you will be, if you _stuff_ the character as you call it, but rather what Hamlet himself describes his father to have been, 'A combination, and a form indeed. Where every god did seem to set his seal, To give the world assurance of a man.'" "Never mind my height," said Stubbs, elevating his head, and raising his chin an inch or two out of his neckcloth.--"Garrick, you know, was none so tall; and yet I fancy he was considered a tolerably good actor in his day. But you remember the lines of Charles Churchill, 'There are, who think the stature all in all, Nor like a hero if he is not tall. The feeling sense all other wants supplies-- I rate no actor's merit from his size. Superior height requires superior grace, And what's a giant with a vacant face?'" |
|