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How to Tell a Story and Other Essays by Mark Twain
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(Pause.)

Den de voice say, right at his year--"W-h-o g-o-t--m-y--g-o-l-d-e-n
arm?" (You must wail it out very plaintively and accusingly; then you
stare steadily and impressively into the face of the farthest-gone
auditor--a girl, preferably--and let that awe-inspiring pause begin to
build itself in the deep hush. When it has reached exactly the right
length, jump suddenly at that girl and yell, "You've got it!")

If you've got the pause right, she'll fetch a dear little yelp and spring
right out of her shoes. But you must get the pause right; and you will
find it the most troublesome and aggravating and uncertain thing you ever
undertook.







MENTAL TELEGRAPHY AGAIN

I have three or four curious incidents to tell about. They seem to come
under the head of what I named "Mental Telegraphy" in a paper written
seventeen years ago, and published long afterwards.--[The paper entitled
"Mental Telegraphy," which originally appeared in Harper's Magazine for
December, 1893, is included in the volume entitled The American Claimant
and Other Stories and Sketches.]

Several years ago I made a campaign on the platform with Mr. George W.
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