The Complete Works of Artemus Ward — Part 6: Artemus Ward's Panorama by Artemus Ward
page 11 of 58 (18%)
page 11 of 58 (18%)
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than any man I ever met.--He kept a hotel. They have queer
hotels in Oregon. I remember one where they gave me a bag of oats for a pillow--I had nightmares of course. In the morning the landlord said--How do you feel--old hoss--hay?-- I told him I felt my oats. (Though the serious part of the lecture was here entered upon, it was not delivered in a graver tone than that in which he had spoken the farcicalities of the prologue. Most of the prefatory matter was given with an air of earnest thought; the arms sometimes folded, and the chin resting on one hand. On the occasion of his first exhibiting the panorama at New York he used a fishing-rod to point out the picture with; subsequently he availed himself of an old umbrella. In the Egyptian Hall he used his little riding-whip.) Permit me now to quietly state that altho' I am here with my cap and bells I am also here with some serious descriptions of the Mormons--their manners--their customs--and while the pictures I shall present to your notice are by no means works of art--they are painted from photographs actually taken on the spot (They were photographed by Savage & Ottinger, of Salt Lake City, the photographers to Brigham Young.)--and I am sure I need not inform any person present who was ever in the territory of Utah that they are as faithful as they could possibly be. (Curtain.--The picture was concealed from view during the first part of the lecture by a crimson curtain. This was drawn together or opened many times in the course of the lecture, and at odd points |
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