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The Complete Works of Artemus Ward — Part 6: Artemus Ward's Panorama by Artemus Ward
page 11 of 58 (18%)
than any man I ever met.--He kept a hotel. They have queer
hotels in Oregon. I remember one where they gave me a bag
of oats for a pillow--I had nightmares of course. In the
morning the landlord said--How do you feel--old hoss--hay?--
I told him I felt my oats.

(Though the serious part of the lecture was here entered
upon, it was not delivered in a graver tone than that in
which he had spoken the farcicalities of the prologue. Most
of the prefatory matter was given with an air of earnest
thought; the arms sometimes folded, and the chin resting on
one hand. On the occasion of his first exhibiting the
panorama at New York he used a fishing-rod to point out the
picture with; subsequently he availed himself of an old
umbrella. In the Egyptian Hall he used his little
riding-whip.)

Permit me now to quietly state that altho' I am here with my
cap and bells I am also here with some serious descriptions
of the Mormons--their manners--their customs--and while the
pictures I shall present to your notice are by no means
works of art--they are painted from photographs actually
taken on the spot (They were photographed by Savage &
Ottinger, of Salt Lake City, the photographers to Brigham
Young.)--and I am sure I need not inform any person present
who was ever in the territory of Utah that they are as
faithful as they could possibly be. (Curtain.--The picture
was concealed from view during the first part of the lecture
by a crimson curtain. This was drawn together or opened
many times in the course of the lecture, and at odd points
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