The Naturewoman by Upton Sinclair
page 15 of 101 (14%)
page 15 of 101 (14%)
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FREDDY. Can you play her music, Ethel? ETHEL. Play it? I could play it in my sleep. [Opens piano.] The Sunrise Dance! [She sits and plays.] Listen! [She plunges into the ecstatic part of the music. FREDDY leans by the piano, watching her; she plays, more and more enthralled. The door opens softly.] [OCEANA enters; a girl of twenty-two, superbly formed, dark-skinned, a picture of glowing health. She is clad in a short skirt and a rough sailor's reefer with cap to match; underneath this a knitted garment, tight-fitting and soft - no corsets. She carries two extremely heavy suitcases, and with no apparent effort. She sets these down and stands listening to the music, completely absorbed in it. There is the faintest suggestion of the Sunrise Dance in her attitude. [OCEANA is trusting, and yet with power of reserve. Throughout the action, however vehemently she speaks, she seldom really grows angry; she does not take the game seriously enough. On the other hand her enjoyment, however keen, never becomes boisterous. Her actions proceed from a continual overflow of animal health. She is like a little child, in that she cannot remain physically still for very long at a time; she moves about the room like an animal in a cage. Her speech proceeds from an overwhelming interest in the truth, regardless of all personality. She never conceals anything, and she never represses anything.] ETHEL. [Finishes the music, then turns, and leaps up.] Oceana! |
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