The Native Son by Inez Haynes Gillmore
page 35 of 36 (97%)
page 35 of 36 (97%)
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going to the Orpheum, motoring through the Park afterwards; and finally
indulging in another bite before he gets to bed. Sometime during the process, he has assisted in playing a graceful practical joke on a trusting friend. He has attended a meeting to boost a big, new developing project for California. He has made a speech. He has contributed to some pressing charity. He has swung into at least two political fights. He has attended a pageant or a fiesta or a carnival. And he has managed to conduct his wooing of that beautiful (and fortunate) Native Daughter who will some day become Mrs. Native Son. Really my favorite hour is every hour. Every hour in San Francisco is a charming hour. Perhaps my favorite comes anywhere between six and eight. Then "The City" is brilliant with lights; street lamps, shop windows, roof advertising signs. The hotels are a-dance and a-dazzle with life. Flowers and greens make mats and cushions of gorgeous color at the downtown corners. At one end of Market Street, the Ferry building is outlined in electricity, sometimes in color; at the other end the delicate outlines of Twin Peaks are merging with night. Perhaps swinging towards the horizon there is a crescent moon - that gay strong young bow which should be the emblem of California's perpetual youth and of her augmenting power. Perhaps close to the crescent flickers the evening star - that jewel on the brow of night which should be a symbol of San Francisco's eternal sparkle. And, perhaps floating over the City, a sheer high fog mutes the crescent's gold to a daffodil yellow; winds moist gauzes over the thrilling evening star. At the top of the high hill-streets, the lamps run in straight strings or pendant necklaces. Down their astonishing slopes slide cars like glass boxes filled with liquid light; motors whose front lamps flood the asphalt with bubbling gold. If it be Christmas - and nowhere |
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